![]() Jackson is absolutely fantastic,” agrees Weta’s Guy Williams, adding, “different approaches suit different requirements. ![]() It may not have been exactly what the young Samuel Jackson looked like, but it definitely looked de-aged.” They’re still using some of the actor’s performance directly, but they’re modifying it. “That’s more of a 2D-image based approach where they’re taking the actor’s performance and then they’re painting and tracking certain frames. #Disney gemini celebrities movie#“I looked at that face as, you know, maybe ‘The Negotiator’ face,” says Jackson, referring to his 1998 movie of the same name, “Fortunately for them and for me, I had enough stuff from that period in my life that they could use a bunch of different facial expressions and films to put that face together that made sense to people who knew me from that time.”ĭarren Hendler, director of the Digital Human Group at Digital Domain and the man responsible for turning Josh Brolin into “Avengers” supervillain Thanos, was impressed by Jackson’s appearance in the movie. Ironically, considering Scorsese’s vocal criticism of Marvel movies as “not cinema,” a similar system was used to de-age Jackson in “Captain Marvel.” A young Nick Fury was created by comparing footage from old Jackson movies with the work the actor did on set - again, using tracking markers. #Disney gemini celebrities skin#Helman and his team then spent two years looking through old movies and cataloging the targeted ages that De Niro, Pacino and Pesci would appear in “The Irishman.” They created a program - similar to that used to create online “deepfake” videos where one actor’s face is swapped for another’s - which would check their work on the movie was heading in the right direction, with the system “spewing out” hundreds of images for cross-referencing.Ĭreating Junior required Smith to spend time in a photogrammetry booth where multiple cameras captured his likeness as numerous lights fired in different sequences, giving a base scan of the actor and analyzing the structure of his face from a skin pore level. While the team at Industrial Light and Magic was working on “The Irishman,” another group of technical wizards were experimenting with de-aging at Weta Digital (part of director Peter Jackson’s Weta Workshop in New Zealand), creating an entirely digital, 23-year-old version of Smith for the action movie “Gemini Man.”īefore filming commenced on both “Gemini Man” and “The Irishman,” the teams at ILM and Weta drew up test footage to show the films’ directors that what they were suggesting was possible.įor “Gemini Man” it was a clip from the 1995 movie “Bad Boys” into which they inserted two shots of their new, digital Will Smith and asked Ang Lee to spot the “fake.”įor “The Irishman,” De Niro also returned to the 1990s, performing the Pink Cadillac scene from “Goodfellas” before being de-aged in post-production - convincing an initially skeptical Scorsese that he could bring the long-gestating project to life. “You’re not changing the light on set, but the computer can see in a different spectrum.” “You’re not interrupting the director’s thread of thinking,” explains Helman. ![]() The shadows could potentially interfere with the geometric facial shapes constructed by de-aging software. That allowed Helman to eliminate shadows created by on-set lighting. ![]() So, if you’re going to capture the performance, how are you going to do that?”Įnter the “three-headed monster,” a unique camera rig that has a director camera in the center and two “witness” cameras on either side shooting infrared footage. “He’s going to want to be in the moment with Joe Pesci and Al Pacino on set, with no markers on him. “He’s not going to wear a helmet with little cameras in there,” says Helman. Helman says the decision to forgo tracking markers came directly from Scorsese and De Niro. ![]()
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